What Is 13th Canadian Folk Music Awards
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Last updated: April 14, 2026
Key Facts
- The 13th Canadian Folk Music Awards took place on April 8, 2017
- Held in Ottawa, Ontario, at the National Arts Centre
- Eligibility period: September 1, 2015, to August 31, 2016
- 19 award categories were presented
- Hosted by CBC's Tom Power
- First Nations, Métis, and Inuit artists won multiple awards
- Co-presented by the Canadian Folk Music Association and CBC Music
Overview
The 13th Canadian Folk Music Awards took place on April 8, 2017, in Ottawa, Ontario, marking a significant celebration of the nation’s folk, roots, and traditional music. Organized annually by the Canadian Folk Music Association (CFMA), the awards honor outstanding achievements in Canadian folk music based on artistic merit, originality, and cultural significance. The event brings together musicians, industry professionals, and fans from across the country to recognize excellence in a genre deeply rooted in storytelling and community.
Established in 2000, the Canadian Folk Music Awards were created to spotlight artists working outside the mainstream music industry, particularly those preserving and innovating within folk traditions. By the 13th edition, the awards had become a cornerstone of Canada’s cultural calendar, with increasing national visibility thanks to partnerships with CBC Music. The 2017 ceremony was held at the prestigious National Arts Centre, symbolizing the growing institutional recognition of folk music in Canada.
The 13th edition was notable for its emphasis on diversity and inclusion, particularly in recognizing Indigenous artists and bilingual (French-English) contributions. This shift reflected broader societal movements toward reconciliation and representation in the arts. With 19 award categories, the night celebrated everything from solo artists to ensemble acts, traditional recordings to contemporary interpretations, reinforcing the genre’s evolving identity.
How It Works
The Canadian Folk Music Awards operate through a structured nomination and voting process managed by the CFMA, ensuring transparency and artistic integrity. Eligible recordings must be released within a defined eligibility window and meet genre-specific criteria. The process involves submissions, preliminary judging, and final voting by a panel of industry experts and CFMA members.
- Eligibility Period: For the 13th edition, music released between September 1, 2015, and August 31, 2016 was considered. This one-year window ensures recent work is recognized.
- Submission Process: Artists or labels submit entries online, providing albums, bios, and supporting materials. A non-refundable fee applies per category entered.
- Judging Panel: A jury of over 200 folk music professionals — including broadcasters, journalists, and past nominees — reviews submissions in the first round.
- Nomination: Finalists (typically five per category) are announced in December. The 13th edition revealed nominees on December 13, 2016.
- Voting: CFMA members vote for winners in January. Each member can vote in all categories, ensuring democratic input.
- Award Ceremony: Winners are announced live at the gala. The 13th edition was hosted by Tom Power of CBC Music and broadcast nationally.
Key Details and Comparisons
| Award Edition | Year | Location | Number of Categories | Notable Winner |
|---|---|---|---|---|
| 11th | 2015 | St. John’s, NL | 17 | Leahy |
| 12th | 2016 | Guelph, ON | 18 | The Dead South |
| 13th | 2017 | Ottawa, ON | 19 | Aysha Umar |
| 14th | 2018 | Calgary, AB | 20 | The Small Glories |
| 15th | 2019 | Halifax, NS | 20 | Le Vent du Nord |
The table illustrates the evolution of the Canadian Folk Music Awards, showing a steady increase in both the number of categories and geographic diversity of host cities. The 13th edition in 2017 marked a turning point with 19 categories and a strong focus on Indigenous representation, exemplified by winners like Aysha Umar, who won Contemporary Singer of the Year. Compared to earlier editions, the 2017 awards placed greater emphasis on inclusivity, bilingualism, and emerging voices. The choice of Ottawa as host city also elevated the event’s profile, aligning it with national cultural institutions. This edition helped set the tone for future ceremonies to prioritize equity and broader definitions of folk music.
Real-World Examples
The 13th Canadian Folk Music Awards featured several standout moments that highlighted the depth and diversity of Canada’s folk scene. Aysha Umar, a Toronto-based artist, won the Contemporary Singer of the Year award, marking a breakthrough for artists blending folk with global influences. Her win underscored the genre’s expansion beyond traditional Anglo-Celtic roots. Similarly, The Sojourners, a Vancouver-based gospel and folk group composed of Black Canadian women, won the Group of the Year award, symbolizing a shift toward recognizing marginalized voices.
Another significant moment was the recognition of Indigenous artists. Tanya Tagaq, though not a winner that night, was nominated in multiple categories, reflecting her growing influence. The awards also celebrated bilingual contributions, such as Le Vent du Nord, who won Traditional Album of the Year. These examples demonstrate how the 13th edition served as a platform for underrepresented communities.
- Aysha Umar – Won Contemporary Singer of the Year for her self-titled debut album.
- The Sojourners – Awarded Group of the Year for their harmonious blend of gospel, folk, and soul.
- Le Vent du Nord – Won Traditional Album of the Year for Chasse-Galerie.
- David Francey – Took home the English Songwriter of the Year award, a nod to his poetic storytelling.
Why It Matters
The 13th Canadian Folk Music Awards were more than just a celebration of music—they represented a cultural shift in how Canada defines and values its folk traditions. By amplifying diverse voices and honoring artistic integrity over commercial success, the event reinforced the genre’s role in preserving stories, languages, and histories.
- Impact: Elevated visibility of Indigenous and minority artists in mainstream folk discourse.
- Cultural Preservation: Recognized traditional music forms in danger of being lost, such as Métis fiddling and Inuit throat singing.
- National Unity: Brought together artists from every province and territory, fostering cross-cultural exchange.
- Industry Growth: Provided emerging artists with exposure, leading to increased touring and recording opportunities.
- Public Engagement: CBC broadcasts reached over 500,000 listeners, expanding folk music’s audience.
The legacy of the 13th edition continues to influence the CFMA’s mission, setting a precedent for inclusivity and artistic excellence. As Canada’s folk music landscape evolves, events like these ensure that authentic, community-driven voices remain at the forefront of the national conversation.
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