What Is 1964 National Board of Review Awards
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Last updated: April 15, 2026
Key Facts
- The 1964 National Board of Review Awards recognized films released in 1963.
- Winners were announced in January 1964, ahead of the 1964 Oscars.
- *Tom Jones* won Best Picture at the 1964 NBR Awards.
- Peter O'Toole received Best Actor for *Becket*, released in 1964.
- The National Board of Review has presented awards annually since 1930.
Overview
The 1964 National Board of Review Awards celebrated the finest achievements in cinema during the 1963 film season. Announced in January 1964, these honors highlighted performances, direction, and storytelling that stood out during a transformative year in film history.
The National Board of Review (NBR), founded in 1909, has long served as a respected voice in American cinema. Its annual awards are among the earliest announced each season, often influencing the trajectory of Oscar campaigns and critical discourse.
- Best Picture went to *Tom Jones*, a rambunctious period comedy directed by Tony Richardson, which later won the Academy Award for Best Picture.
- Best Actor was awarded to Peter O'Toole for his performance in *Becket*, a historical drama depicting the conflict between King Henry II and Thomas Becket.
- Best Actress was given to Patricia Neal for her role in *Hud*, a stark, emotionally charged drama set in rural Texas.
- Best Director was bestowed upon Elia Kazan for *America America*, a semi-autobiographical film about an Armenian immigrant’s journey to the United States.
- Top Foreign Films included *8½* by Federico Fellini and *The Fire Within* by Louis Malle, reflecting the NBR’s commitment to international cinema.
How It Works
The National Board of Review operates independently of the film industry, selecting winners through a voting process by a panel of film professionals, academics, and critics. The 1964 awards were determined after screenings and discussions among members.
- Selection Process: Members of the NBR view hundreds of films annually and vote to determine winners across multiple categories. The process is confidential and conducted without studio influence.
- Timing: The 1964 awards were announced in January, positioning them as early indicators of Oscar potential. This timing gives them significant influence in awards season.
- Categories: The NBR recognizes up to 10 Best Pictures, plus top foreign films, documentaries, and individual achievements in acting and directing.
- Eligibility: Films must have had a theatrical release in New York City during the calendar year to qualify. This rule ensures accessibility to the NBR’s membership.
- Judging Criteria: Emphasis is placed on artistic merit, storytelling innovation, and cultural relevance. Technical excellence is considered but not prioritized over narrative impact.
- Independence: Unlike guild awards, the NBR does not represent a specific industry group, allowing for more eclectic and critically driven choices.
Comparison at a Glance
Here’s how the 1964 NBR Awards compared with other major honors of the era:
| Award Category | NBR Winner (1964) | Academy Award Winner (1964) |
|---|---|---|
| Best Picture | Tom Jones | Tom Jones |
| Best Actor | Peter O'Toole (*Becket*) | Rex Harrison (*My Fair Lady*) |
| Best Actress | Patricia Neal (*Hud*) | Sophia Loren (*Yesterday, Today and Tomorrow*) |
| Best Director | Elia Kazan (*America America*) | Tony Richardson (*Tom Jones*) |
| Top Foreign Film | *8½* (Italy) | N/A |
The alignment between the NBR and the Oscars for *Tom Jones* as Best Picture underscored the film’s dominance in the 1963-1964 awards season. However, divergences in acting and directing choices highlight the NBR’s preference for intense, dramatic performances over musicals, which the Academy often favored. This contrast illustrates how different voting bodies prioritize genres and styles.
Why It Matters
The 1964 NBR Awards not only celebrated excellence but also helped shape the cultural conversation around film during a pivotal decade. As one of the first major awards of the season, its choices often set the tone for Oscar speculation and media coverage.
- Historical Significance: The 1964 awards captured a shift toward bold, character-driven narratives in American cinema, exemplified by *Hud* and *Becket*.
- Influence on Oscars: *Tom Jones* winning both NBR and Oscar top honors demonstrated the NBR’s predictive power in major categories.
- International Recognition: By honoring Fellini’s *8½*, the NBR elevated European art cinema in American discourse.
- Platform for Actors: Patricia Neal’s NBR win bolstered her visibility, contributing to her eventual Academy Award victory.
- Legacy of Independence: The NBR’s non-industry status allowed it to honor challenging films like *America America*, which might otherwise be overlooked.
- Cultural Reflection: The 1964 winners reflect postwar American values, including individualism, moral conflict, and the immigrant experience.
Today, the National Board of Review remains a key player in awards season, continuing its tradition of recognizing cinematic excellence with integrity and independence. The 1964 awards stand as a testament to a vibrant era in film history, where storytelling and performance reached new heights.
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